[00:40.50]It's one hazy panoply[00:43.28]Recount this halcyon age[00:45.90]I turn to Anthony[00:48.32]When he turned to Karleinz and Cage[00:51.16]But no one's really there[00:53.30]Does that mean it's done in vain[00:56.26]If no one really cares[00:58.67]I'm back to acting strange[01:01.33]Like Daniel Johnston in Texas[01:04.73]At some point in the eighties[01:06.88]Passing out his cassettes with[01:09.74]The j-card that he drew oh did he ever expect it[01:14.78]I guess it's just what happens when the music's a respite[01:20.13]The world is so appalling and you come to detest it[01:25.85]And you could say that I was nervous then[01:30.12]Fairly awkward now[01:32.73]Leave the speakers loud[01:35.19]When you feel self doubt[01:37.60]If there's any chance[01:40.40]That we'd still hang out[01:42.94]We could detail dreams[01:48.50]While we stare at passing clouds[01:52.67][02:11.55]Those modal masterworks[02:13.87]Atonal oeuvres it seems[02:16.78]When I ask afterwards[02:19.02]All message lost inbetween[02:21.70]The shifting aperture[02:24.27]Depicting sun-soaked scenes[02:27.02]I guess they resonate[02:29.43]That's Universal Consciousness[02:32.56]Take two of Ascension[02:35.28]The Shape of Jazz to Come and[02:37.55]Laurie Spiegel's inventions[02:40.36]O'Rourke or Zorn and Oliveros all deserve mention[02:45.48]You're dancing in a room and no one's paying attention[02:50.45]Addressing my reception with a focused eye[02:55.37]To the passing clouds[02:58.06]I'll be there for you[03:00.55]When you're feeling down[03:03.16]Any given day[03:05.75]You can find me 'round[03:08.46]In a despondent way[03:10.96]In a study best called brown[03:13.41]