[00:00.000] 作词 : Jasper Gilissen[00:00.197] 作曲 : Jasper Gilissen[00:00.394]Deviating from kant however, Schopenhauer would go on to argue[00:03.922]That not only can we not know nor access[00:06.428]The varying objects of the world[00:08.264]As they really are outside of our conscious experience[00:11.535]But there is in fact no plurality of objects beyond our experience at all[00:15.983]Rather beyond our experience is, according to Schopenhauer[00:20.105]A singular unified oneness of reality[00:23.029]A sort of essence or force that drives existence[00:25.968]That is beyond time beyond space and beyond all objectification[01:06.134]And while engaging in this sort of art[01:07.939]One would have a transcendent-like experience[01:10.225]That provides a relief and comfort from existence[01:12.923]As a result of this concept[01:14.629]Schopenhauer would end up being one of the first thinkers[01:17.126]To ever really introduce philosophical significance to the arts[01:20.632]And would eventually become known by many[01:22.776]As the artist's philosopher[01:42.141]Reality[02:08.184]One trait these stories do all seem to have in common though[02:11.221]Is a refusal to stop[02:13.019]A refusal to budge from pursuing and defending the world as one sees it[02:35.419]Space[02:49.511]Reality[03:02.314]Space[03:45.434]Reality[04:07.899]Here Schopenhauer would suggest that what is found from within[04:11.036]At the core of our being[04:12.639]Is an unconscious restless striving force[04:15.577]Towards survival nourishment and reproduction[04:19.411]He would term this force the will to live[04:22.422]Essentially this would lead him to the conclusion[04:24.754]That reality is made up of two sides[04:27.074]One side being the plurality of things[04:28.976]As they are represented to a conscious apparatus[04:31.922]And the other side being the singular unified force of the will[04:36.023]Hence the name of his masterwork the world as will and representation